Responsive Architectures

This SSHRC-funded project focuses on a new generation of reflexive, kinetic experimental architecture. The work will examine responsive systems, using lightweight structures and interactive technology. A specialized series of architectural installations will propose a new kind of surface for the earth. This research / creation project involves a progressive sequence of workshops, seminars and studios that will progressively expand and deepen the theoretical context in parallel with creation of three generations of architectural installations.

The three year research / creation initiative will support concentrated development and exchanges between several institutions, led by visual artist and architect Philip Beesley with collaborators: sculptor and craft expert Neil Forrest (NSCAD University), cultural historian and architect Sarah Bonnemaison (Dalhousie University), mechatronics expert Rob Gorbet (Waterloo), industrial component design expert Michael Stacey (Nottingham), graduate research assistants and numerous graduate student participants.

Neil Forrest has exhibited and lectured in North America, the UK, Europe and Asia, and is currently Professor of Ceramics and coordinates the ceramics department at NSCAD. His ceramics have been published in books, craft magazines and architectural journals. Forrest studied at Cranbrook Academy of Art, Alfred University and Sheridan College of Crafts.

Forrest’s inquiry into the union of craft and architecture emphasizes an alignment of theory, perception and materiality as the platform for a new ornament. His studio ceramics are layered assemblies that float and roam in space as a 'detached' and nomadic entity for architectural spaces. These porcelain and stoneware works have suspension systems and connecting devices that extend the reach of ceramics as long chains or complex matrixes.

Forrest has overseen the extensive new Port Ceramics facility that emphasizes advanced kiln systems and new technologies in clay fabrication. The department is undertaking research projects that extend craft discourse to create positive social and technological change with a wider research platform involving a suite of art, humanities, science and engineering specialties. The new ceramics will not use imagery alone, but be a transformation of the media and its functionalities.

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